Juergen Teller and Mariacarla Boscono Blur Fashion and Art in Athens

Juergen Teller and Mariacarla Boscono Blur Fashion and Art in Athens

Photographed at art installations across the Greek capital—including Teller’s own exhibition at Onassis Ready—a spring portfolio of bold color and sculptural silhouettes unfolds as a dialogue among fashion, art and Athens itself.

Creative partner, Dovile Drizyte
Styling by Sissy Vian
Photographed at art installations across the Greek capital—including Teller’s own exhibition at Onassis Ready—a spring portfolio of bold color and sculptural silhouettes unfolds as a dialogue among fashion, art and Athens itself.

Creative partner, Dovile Drizyte
Styling by Sissy Vian
CURATED STILLNESS
Model Mariacarla Boscono takes us behind the scenes. Left: Bottega Veneta top and skirt, Rabanne necklace and Dead Lotus Couture gloves from VRP studio archive. Images from Juergen Teller’s “The Path of Hope” series, Italy, 2025 at Onassis Ready.
Right: Dior sweater, pants, hat and sandals, and MOY Paris necklace. Jack Pierson, “Applause,” 1997, at the New Hotel, Athens. © Jack Pierson.
WELCOME IN
Left: Boscono wears a Miu Miu dress, knit, shirt and foulard at a private residence in Athens. The Callas, “Your Stones, Around Me,” 2022, Private Collection.
Right: FBLD Latex gloves holding Juergen Teller’s exhibition catalogue, “you are invited,” published by Steidl, in front of Ariana Papademetropoulos, “A Landscape Painting,” 2024, Onassis Collection. © The Callas/Lakis and Aris Ionas. © Ariana Papademetropoulos.

WRAP PARTY
Boscono revs up in front of Aristotle Onassis’s 1963 Cadillac Fleetwood Seventy-Five Limousine, part of the Onassis Collection. Area dress, Alaïa sunglasses, Falke tights and Saint Laurent by Anthony Vaccarello heels.
TRUE STRIPES
At the Onassis Stegi cultural center, Nuri Koerfer’s “Lama Thron,” 2021, provides a resting spot. Calvin Klein Collection robe and slippers. © Nuri Koerfer and Lars Friedrich.
GRAND PLAN
Left: The Steinway & Sons Baby Grand Piano “S,” 1954—purchased for Maria Callas’s rehearsal sessions on the yacht Christina—stands in the Onassis Library in front of a collection of paintings by Theodore Poulakis (circa 1620-92). Louis Vuitton jumpsuit, turban and mules and Saeni bracelets. © Steinway & Sons.
Right: The Stegi’s commanding architecture is a fitting locale for Boscono’s Saint Laurent by Anthony Vaccarello dress, tights, pleated taffetas and heels.
COVER UP
Left: Aristotle Onassis’s Rolls-Royce Silver Wraith Sedanca de Ville, 1952, is a sleek complement to the Maison Margiela Artisanal 2025 dress worn over a corset.
Right: Alaïa hooded parka and top, Jacques Marie Mage sunglasses and Monies Delhi necklace at Onassis Ready. Juergen Teller, “The Path of Hope No.70,” Italy, 2025.
DOWN UNDER
In the Onassis Collection Vault, Boscono poses in front of Jannis Varelas, “Bouvard and Pécuchet,” 2023. Chloé dress and earrings, Roberto Cavalli ring and Bottega Veneta sandals. © Jannis Varelas.

OUT OF THE BOX
Chanel jacket, skirt, tank and pumps in the Onassis Collection Vault comingle with Dimitrios Philippotis, “The Harvester,” 1870, and Yannoulis Halepas, “Archangel,” 1931, both from the Onassis Collection.
MODERN PROVOCATION
Left: Boscono wears a Jean Paul Gaultier jumpsuit and sandals; Balenciaga earrings from the Old Macdonald Had An Archive; and Atsuko Kudo gloves at Onassis Ready, featuring Juergen Teller, “We Are Building Our Future Together No.54 and No.83, Napoli, 2021.”
Right: In the Onassis Library, Georgios Jakobides, “The Little Shepherd Boy,” circa 1877, peers over Boscono in an Akris dress, Louis Vuitton turban, Monies Delhi link necklace, MOY Paris pearl necklace, vintage Balenciaga gloves and Moschino shoes.

WRAP PARTY
Boscono looks picture perfect in a Thevxlley dress and Roberto Cavalli rings in front of Domenicos Theotokopoulos (El Greco), “The Coronation of the Virgin,” circa 1603-5, Onassis Collection.
SLINKING FEELING
Ferragamo blouse, Parisi Gloves and Miu Miu heels in the Onassis Collection Vault. Andreas Angelidakis, “Anarchaeological Anaparastasis,” 2025, Onassis Collection. Ariana Papademetropoulos, “Psychic Specific,” 2024, Onassis Collection. © Ariana Papademetropoulos; © Andreas Angelidakis.
TAILORED MOTION
Left: The man, the myth, the legend: Michalis Vafiadis’ portrait of Aristotle Onassis, 1970s, looms over Boscono in the Onassis Library. Giorgio Armani dress and Dead Lotus Couture gloves from VRP studio archive.
Right: Fendi tracksuit, model’s own T-shirt and Ferragamo heels. Estudio Campana, “Favela Wall,” New Hotel, Athens.
COLLECTED ARCHIVE
Left: Boscono kicks back in a Loewe dress and shoes in the Onassis Collection Vault with Leone Clerici’s “Alexander the Great,” 1875.
Right: Balenciaga dress and mask, and Parisi Gloves in the Onassis Collection Vault. Ariana Papademetropoulos, “A Landscape Painting,” 2024, Onassis Collection. Byron Kalomamas, “Sleeper Soldier,” 2025, Onassis Collection. Malvina Panagiotidi and Panagiotis Loukas, “The Gates of Horn and Ivory,” 2016, Onassis Collection. Antonis Ntonef, “Untitled,” 2025, Onassis Collection. Jannis Varelas, “Jake and Lola,” 2003, Onassis Collection. © Byron Kalomamas; © Jannis Varelas; © Antonis Donef; © Malvina Panagiotidi and Panayiotis Loukas; © Ariana Papademetropoulos.

NOVEL APPROACH
A Dior tote in front of images from Juergen Teller, “Symposium of Love,” 2025, at Onassis Ready. Parisi Gloves.
META VERSE
Left: Art imitates art when Boscono poses in front of her own portrait by Juergen Teller at the Onassis Ready. Gucci coat and ABRA boots. Juergen Teller, “Kate Moss No.12,” Gloucestershire, 2010. Juergen Teller, “Mariacarla Boscono,” Ibiza, 2012.
Right: Versace dress and belt, Balenciaga earrings, Atsuko Kudo gloves and JUDE heels. Evi Kalogiropoulou, “Speculations on a Battle Outcome,” 2019, Onassis Collection. © Evi Kalogiropoulou.

Model, Mariacarla Boscono at Women Management; hairstylist, Pierpaolo Lai; makeup artist, Sophia Kossada; manicurist, Matthaios Theodoridis; production, Cinq Étoiles Productions.

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