View full screen - View 1 of Lot 64. Hamilton, Sir William (1730-1803).

Hamilton, Sir William (1730-1803)

Estimate

40,000 - 60,000 EUR

Lot Details

Description

Campi Phlegraei. Observations on the volcanos of the Two Sicilies. Supplement to the Campi Phlegraei being an account of the great eruption of Mont Vesuvius in the month of August 1779. Napoli: Pietro Fabris, 1776-79


3 vols., folio (453 x 315 mm), first edition, title and text in English and French, 59 copper-engraved plates after designs by Pietro Fabris, one double-page map of the Bay of Naples by Giuseppe Guerra, all with fine contemporary hand-colouring, contemporary tan morocco, richly gilt with a wide border of foliate tools, covers with three Bourbon fleurs-de-lys with dragon’s head surmounted by a crown at centre, spine with seven raised bands richly gilt, double lettering-piece, gilt dentelles, gilt edges, housed in a modern slipcase, bookplate on the front pastedown: Vinc. M. Kar. Ca. St. Pr. Amphiss (Vincenzo Maria Carafa, 1739–1814, Prince of Roccella).


Literature:

Brunet III 31; Lewine p. 232.

Sotheby's Milan, Old Master Paintings, 19th Century Paintings, Furniture, Works of Art and Rare Books, 16 November 2010, lot, 180.

Brunet III, 31; Lewine, p. 232.

Sir William Hamilton, Plenipotentiary Minister of the British Government at the Court of Naples and an ardent student of antiquity and natural phenomena, commissioned the artist Pietro Fabris to accompany him on more than twenty ascents of Mount Vesuvius. From these often hazardous expeditions emerged the first series of plates, published in 1776, which documented with unprecedented immediacy the volcanic activity of the region.


In 1779 a supplementary volume was issued, recording the dramatic eruption of Vesuvius in August of that year. Fabris’s finely observed drawings present sweeping views of Vesuvius, Mount Etna, and the Solfatara, alongside detailed renderings of volcanic rocks, ash, and flowing lava. Hamilton himself frequently appears within the compositions, readily identifiable by his characteristic red coat, serving both as witness and protagonist in this remarkable visual record of Enlightenment science.

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