View full screen - View 1 of Lot 213. 'The cottage window'; or 'Herself the fairest flower'.

Samuel Woodforde, R.A

'The cottage window'; or 'Herself the fairest flower'

Lot Closed

July 7, 02:51 PM GMT

Estimate

6,000 - 8,000 GBP

Lot Details

Description

Samuel Woodforde, R.A

Castle Cary, Somerset 1763 - 1817 Ferrara

'The cottage window'; or 'Herself the fairest flower'


oil on canvas

unframed:76.1 x 63 cm.; 30 x 24¾ in.

framed: 107 x 93.7 cm.; 42⅛ x 36⅞ in.

Abraham Caldecott, Lord of the Manor of Rugby (1763–1829), by 1815;

Thence by family descent until sold ('By order of the executors of Mrs Caldecott, deceased'), London, Christie's, 27 January 1900, lot 92, for £21 to Castaneda;

Private collection, Spain.

London, Royal Academy, 1814, no. 29.

This work, which was exhibited at the Royal Academy in 1814, looks back at paintings from the Dutch Golden Age. In particular, the format of a figure at a window was made famous by artists such as Gerrit Dou (1613–1675), Rembrandt (1606–1669) and Samuel van Hoogstraten (1627–1678). Rembrandt's Girl learning on a Window–sill, which may have served as inspiration for Woodforde's canvas, was in a British aristocratic collection during the late eighteenth-century and was later bequeathed to Dulwich Picture Gallery in 1811.1 Samuel Woodforde's painting was engraved by William Ward A.R.A in 1815, where it was recorded as being in the collection of Abraham Caldecott, Lord of the Manor of Rugby (1763–1829).


1 P. Murray, Dulwich Picture Gallery: A Catalogue, London 1980, p. 101, no. 163 reproduced.