
No reserve
Estimate
4,000 - 6,000 EUR
Lot Details
Description
the circular base decorated with frieze motifs and weighted underneath with a lead plaque, the nozzles set on a curved support adorned with flower-filled vases and foliate scrolls, the three-part red-glass shade framed by a gilt-bronze mount and surmounted by palmette finials, topped by a laurel wreath
Haut. 74 cm, prof. 25 cm ; Height 29 1/8 in, Diam. 9 7/8 in
Please note that on 27 July 2022 the United States imposed import tariffs on certain Russian goods. This lot may be subject to a tariff upon import into the United States. The amount of the import tariff due is a percentage of the value declared upon entry into the United States.
Christie’s, Paris, 5 July 2007, lot 119
Littérature reference :
E. Ducamp (dir.), Pavlovsk : Les collections, Paris, 1993, p. 19, fig. 17
Beyond France, the bouillotte lamp quickly spread throughout Europe, accompanying the circulation of models, craftsmen, and decorative tastes at the turn of the eighteenth and nineteenth centuries. In Russia, it is documented as early as 1794 at the Pavlovsk Palace, where bouillotte lamps were enriched with turned ivory plaques executed by Empress Maria Feodorovna herself, bearing witness to the refined appropriation of this French model by the imperial court.
Examples of lampes bouillottes are preserved in the collections of the Hermitage Museum, ranging from sober and functional models (inv. ONPLH-184) to more elaborate versions, notably in the Neo-Gothic taste (inv. ЭРМ-4203).