View full screen - View 1 of Lot 35. Pair of Sapphire, Natural Pearl and Diamond Clip-Brooches, Paris 藍寶石 配 天然珍珠 及 鑽石 胸針一對,巴黎.

JAR

Pair of Sapphire, Natural Pearl and Diamond Clip-Brooches, Paris 藍寶石 配 天然珍珠 及 鑽石 胸針一對,巴黎

Auction Closed

December 9, 12:30 AM GMT

Estimate

200,000 - 300,000 USD

Lot Details

Description

Designed as a pair of stylized lotus motifs pavé set with round sapphires, centering button-shaped black natural pearls, accented by marquise-shaped diamonds, signed JAR Paris, with French assay and workshop marks. With signed box.


Accompanied by a GIA report 2235690904 dated August 29, 2025 stating that the pearls are Natural, Saltwater, one with treated color.

JAR


‘These three, beauty, art and luxury are inseparable from happiness.’ - Joel Arthur Rosenthal


Joel Arthur Rosenthal (born 1943) is undeniably the most influential jewelry designer of our time. With his infallible eye for beauty, he has created a body of work that has inspired many to emulate his style and techniques, fundamentally changing our understanding of what jewelry can be.


Rosenthal, who initially aspired to become a painter, studied art history and philosophy at Harvard University. After graduation, he moved to Paris in 1966 where he worked as a screenwriter and needlepoint artist. His skill with the latter was such that Hermès commissioned him to design a pair of needlepoint slippers, but he quickly shifted his focus to jewelry design. After working briefly for Bulgari in New York, he returned to Paris where, in 1977, he founded his eponymous atelier ‘JAR’ with his partner, the Swiss-born Pierre Jeannet. From the start, JAR realized the importance of remaining exclusive: his store just off the Place Vendôme has no shop windows to attract customers—there is no need—and entrance is by invitation only, reserved for those who understand and share his philosophy of beauty.


JAR’s work has been the subject of two highly acclaimed solo exhibitions, the first at Somerset House in London in 2002 which featured several jewels from this extraordinary private collection. The dimly lit galleries required flashlights to view the jewels, fostering a sense of discovery and eliciting a feeling of reverence. The second exhibition was held at New York’s Metropolitan Museum of Art in 2013, making Rosenthal the only living jeweler to receive a retrospective at the legendary institution.   


Several themes thread through JAR’s oeuvre. First and foremost, his use of color, often through the use of gemstones beyond the traditional big four. Secondly, his meticulous pavé and micro-pavé settings that often lends his jewels a painterly quality. His use of oxidized silver on gold, natural pearls and single-cut diamonds hark back to antique examples while his exploration of heat-patinated titanium and aluminum was nothing short of revolutionary. Other recurring themes include mismatched earrings, quatrefoils and exuberant—sometimes fantastical—representations of nature. All of these key elements are represented throughout this exquisite collection, each jewel a modern masterpiece.