Big cats have fascinated gem engravers since antiquity. This exquisite cameo of a leopard utilises the natural mottling in the stone to mimic the animal's spotted fur. The same use of the material appears in a closely analogous 18th-century cameo with a leopard in the Metropolitan Museum of Art, New York, inv. no. 39.22.37. For further stylistic comparison, see a cameo with a pacing lioness by Giovanni Pichler (1734-1791), published in op. cit., no. 260.
RELATED LITERATURE
D. Scarisbrick, The Art of Gem Engraving from Alexander the Great to Napoleon III, Fukuoka, 2008, p. 216