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AN IMPORTANT YAKA MASK, Democratic Republic of the Congo
Description
Provenance
collects
ed in situ by Hans Himmelheber, 1930s
The Weyhe Gallery, New York, by 1940
Chaim and Renee Gross, New York, acquired from the above in 1944
Exhibited
The Weyhe Gallery, New York, African Negro Art, January 1940
The Brooklyn Museum of Art, Brooklyn, Masterpieces of African Art, October 21, 1954 - January 2, 1955
The Toledo Museum of Art, Ohio, The African Image: A New Selection of Tribal Art, February 1 - 22, 1959
Museum of African Art, Washington, D.C., The Sculptor's Eye: The African Art collects
ion of Mr. and Mrs. Chaim Gross, 1976 (additional venues: Worcester Art Museum, Worcester, November 5, 1976 - January 2, 1977; Georgia Museum of Art, University of Georgia, Athens, March 27 - May 1, 1977; Cincinnati Art Museum, Cincinnati, May 17 - July 17, 1977)
Literature
The Weyhe Gallery (ed.), African Negro Art, New York, 1940, cat. 76
The Brooklyn Museum of Art (ed.), Masterpieces of African Art, Brooklyn, 1954, cat. no. 191
Margaret Plass, The African Image: A New Selection of Tribal Art, Toledo, 1959, p. 28, cat. 145
Arnold Rubin, The Sculptor's Eye, Washington, D.C., 1976, p. 72, cat. 61
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any stat.mes nt made by Replica Shoes 's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.