A fine Timurid or early Ottoman gold-inlaid jade plaque, Persia or Turkey, 15th century

of octagonal form incised with an arabesque of scrolling tendrils issuing split and full palmettes radiating from a central floral medallion, inlaid with gold

Minor nibbles to edge and chip to corner, gold inlay in good condition, in leather velvet-lined case, as viewed.
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This delicately carved and inlaid plaque possesses the distinctive unfurling leaves and buds so typical of what can be called the 'international Timurid style'. Parallels may be found in the intricate inlay work of the late Timurid metalwork from the reign of Sultan Husayn Bayqara (1470-1506). The Timurid decorative vocabulary moved westwards as seen in the nephrite jade jug in the Topkapi Saray Museum; a Timurid piece but re-worked with a gold-inlaid inscription bearing a dedication to Shah Isma'il (see Thompson and Canby 2003, p.2, fig.1.1.).

Jade (yashm) was prized by the Turkmen tribes for its prophylactic as well as its visual qualities. It was believed to detect poison, cure eye disease and stomach illness, and to protect against natural calamities such as earthquakes and lightning. Its putative magical, talismanic attributes extended to the battle field. According to Al-Biruni: "It is said that jade or one variety of it is called the victory stone and for this reason the Turks decorated their swords, saddles and belts with it, desirous of gaining victory over their contestants and opponents. Others emulate them in this respect by fashioning from it seals and knife handles." (Lentz and Lowry 1989, p.221).