A RARE ROBIN'S-EGG GLAZE NARCISSUS BOWL SEAL MARK AND PERIOD OF YONGZHENG

of rectangular form with shallow sides slightly flaring, supported on four low corner feet, the interior pierced with two holes for drainage, applied overall with a rich milky turquoise glaze streaked with fine maroon and purple creating a mottled effect, the underside similarly glazed with a slight.mes tallic sheen over the incised four-character mark, original wood stand

A Private Japanese collects ion.

There is surface wear to the interior, and a few small expected flakes to the enamel, the largest of approx 0.5 by 0.1cm. There are two small flakes at the bottom of two of the feet, the larger of approx 0.3 by 0.2cm. Otherwise the narcissus bowl is in very good condition overall, with an even and particularly vivid glaze. The colours are slightly softer than the illustration suggests.
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Vessels covered in this flamboyant and imaginative Robin's-egg glaze started being made from the Yongzheng period. Only a small number of the finer pieces bear imperial reign marks, mainly of the Yongzheng and Qianlong emperors. The glaze, which appears to be a Qing interpretation of the Song dynasty 'Jun' glazes, is also called lu Jun or furnace Jun because it was fired in a furnace of a lower temperature after the firing of the porcelain.

Robin's-egg glaze flower vessels appear to be rare and more common are vases and objects made for the scholar's desk. For example see two water jars, two brushwashers and a set of miniature containers, all covered in Robin's-egg glaze illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang collects ion, Volume Two, London, 1994, pls. 926-931. Compare also a vase, with a Yongzheng four-character reign mark on its base, from the Qing Court collects ion and still in Beijing, published in The Complete collects ion of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 187, together with three Qianlong vessels with this glaze, pls. 188-190.