Ansel Adams

mounted, signed by the photographer in pencil on the mount, his Carmel studio stamp (BMFA 11), titled and dated by him in ink, on the reverse, matted, 1941, probably printed between 1973 and 1977 (Morgan & Morgan, pl. 63; Classic Images, pl. 32; Lane collects ion, pl. 37; Ansel Adams at 100, pl. 36; Examples, p. 40; Grand Canyon and the Southwest, frontispiece; 400 Photographs, p. 175; Photography in America, pp. 130-31; George Eastman House, Taschen, p. 643; Masterworks of American Photography, pl. 125)

This print is in generally very good to excellent condition. In raking light, various faint disturbances to the surface are visible in the upper portion of the print. None of these detract from the overall attractive appearance of the print. There is faint yellowing to the mount surrounding the image. Karen Haas's and Rebecca Senf's book, 'Ansel Adams in the Lane collects ion,' publishes the most comprehensive list to date of the studio stamps and labels Adams used throughout his career. The author's assessment of the use dates of stamp 11 on the reverse of this print is 1973 to 1977.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any stat.mes nt made by Replica Shoes 's is merely a subjective qualified opinion.
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