Peter Doig

Private collects ion, New York

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is much warmer and brighter in the original. Condition: This work is in very good condition. There is a very small spot of media accretion to the centre left of the composition, visible in the catalogue illustration. There is a further minute speck of media accretion to the centre of the left extreme turnover edge. No restoration is apparent when examined under ultra-violet light.
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As Adrian Searle notes, "Many of Doig's paintings, especially those made during the 1990s, recollects and revisit [the] scenes of his youth. There are paintings of days spent skiing and playing ice hockey, wandering snowbound wooded suburbs and frozen lakes, images of the stasis and suspended t.mes of remembered days. But they are more than a collects ion of sent.mes ntal fragments and gilded views; there's threat among these snatches of autobiography, invented scenes, and elisions of fact and fiction. Emptiness and strangeness, fearfulness and uncertainty are the feelings that come to mind." (Adrian Searle, 'A Kind of Blankness' in Peter Doig, London 2007, p. 60)

The buildings that often appear in Doig's paintings are somet.mes s based on places the artist knows from his past, while others are taken from images in magazines.  This painting represents the clubhouse of a nudist colony, Camp Forestia, located on Tiger Mountain, Washington State. This particular clubhouse, always shown with its reflection in a lake and with a solitary figure sitting in front of it, figures in a series of related works by the artist from 1996. These include a much larger painting that presents similar image, a medium scale canvas depicting the clubhouse in a winter landscape (Private collects ion, USA); a small painting on canvas (Private collects ion, New York); a small painting on board (Private collects ion); and a pastel on paper drawing (collects ion of the Museum of Modern Art, New York).