I n the 21st century our lives are driven by t.mes . It has become essential that we know the exact t.mes down to fractions of a second. Without highly accurate t.mes keeping we would have no internet or satellite navigation. However, life has not always relied on such accuracy of t.mes . In the medieval period, for much of the population, sunset and sunrise were the only important t.mes s. Afterall, if it was too dark to work it was t.mes to rest.
Five hundred years ago things gradually began to change. At that t.mes , the only clocks were public or church clocks – machines to ring bells but they were highly inaccurate and required almost daily re-setting by sundial. The wealthiest in society began to take an interest in t.mes keeping and passing of the hours and whilst they almost certainly would have owned their own sundial, that was not of much use during the winter or at night.
Gradually, clockmaking turned to a small and highly refined domestic market, just as occurred with the telecoms market at the advent of the mobile telephone. The clockmakers of renaissance Germany and, in particular, Augsburg and the surrounding area, were world leaders in the development of the domestic clock.
In this sale we have examples from the 16th, 17th and 18th centuries illustrating some of the stylistic and technical changes that took place during that innovative period of horology. From Lot 1, which is extremely early and decorative but very basic, to Lot 20, which, as a Masterpiece Clock, has every available complication and was the iPhone of its era.
In these days, when we are confined to home and perhaps less transfixed by digital atomic t.mes keeping, what better way to appreciate the history of t.mes keeping than to own a small piece of that history in a renaissance work of art.