
Auction Closed
January 25, 06:34 PM GMT
Estimate
30,000 - 50,000 USD
Lot Details
Description
shaped oval form featuring a central enamel scene of Diana amongst nude female bathers and eight enamel plaques of mermaids, females lying in shells, and young couples, the rim chased with shells and foliate scroll, the spaces between the plaques chased with flowers, resting on four leaf-scroll feet, marked underneath and with sample number 4869, plaques numbered
length 18 7/8 in.
47.9 cm
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William Codman [Jr.], The Illustrated History of Silverware Design, Providence: The Gorham Company, 1930, p. 74, illus.
William Codman’s historicist designs and the firm’s sophisticated enamel work were two of the highlights of Gorham’s display at the 1893 Columbian Exposition in Chicago. They won 47 awards, more than any other exhibitor (and more than Tiffany), including two specifically for enameled silver items like this one.
This piece was considered important enough that Codman’s son included it in his Illustrated History of Silverware Design almost 40 years after it was first created. The enamels were painted under the direction of Count Gyula de Festetics in Gorham’s New York workshop. It was noted that his “designs are executed by young women, mostly American, chosen for their artistic tendencies” – a rare female outpost in the masculine world of a silver factory, and a group for whom the story of Diana, the chaste goddess of night, the moon, and childbirth, may have particularly resonated.
A similar Gorham enameled tray from 1893, "The Dancers", also just over 18 in. was recently with dealers Spencer-Marks. They note that piece required 75 hours to form in silver, 210 hours to chase the ornament, and an incredible further 240 hours to enamel - over three months of work by Gorham's skilled craftsmen.
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