View full screen - View 1 of Lot 40. A Meissen Chinoiserie small Circular Dish or Stand, Circa 1723-24.

Property of a Private West Coast collects or

A Meissen Chinoiserie small Circular Dish or Stand, Circa 1723-24

Lot Closed

October 17, 04:40 PM GTNN

Estimate

4,000 - 6,000 USD

Lot Details

Description

A Meissen Chinoiserie small Circular Dish or Stand, Circa 1723-24


finely painted, perhaps by J. G. Höroldt, with a scene after Martin Engelbrecht depicting a ruler seated on a throne beneath Böttger lustred drapery and flanked by a guard and fan bearer, to his side a figure leaning against a table with a parrot perched on his hand, within a rectangular cartouche reserving panels of Böttger lustre edged in gilt-scrollwork, issuing shadowed iron-red scrollwork, the gilt-edged rim enriched by gilt-scrolls, the underside with two iron-red flowering branches, incised Dreher's mark X to inside edge of footrim


diameter 6 3/4 in., 17.2 cm

The scene is taken from a print by Martin Engelbrecht of circa 1720, 'Nobilissimus Dominus Kiakouli in Villa sua/Der Hoch Edle Herr Kiakouli in seinem Lust Hause' from the series "Sinesische Trachten und Gebräuche nach jetziger beliebten Art zum ausschneiden dienlich".


Two early silver-mounted tankards painted with variations of this scene were in the historic collects ion of Margarethe and Dr. Franz Oppenheimer, Berlin & Vienna. Both were acquired by Fritz Mannheimer between 1936-1939, and were later sold in his sale at Frederik Muller & Cie, Amsterdam, October 14-21, 1952, lots 312-313. The former later entered the Dr. Marcel Nyffeler collects ion, Zürich, and is now in the Carabelli collects ion, illustrated in Ulrich Pietsch, Frühes Meißener Porzellan Sammlung Carabelli, 2000, pp. 132-133, no. 55. The latter was subsequently acquired by Ralph Wark, and is now part of the Stout collects ion, Memphis. A third tankard was sold at Bonhams London, 2 July 2019, lot 16. Of the three tankards, the scene on the Stout example bears closest resemblance to the present lot, and both appear to use the Engelbrecht print as a source, rather than the drawing included in the Schulz-Codex. See Maureen Cassidy-Geiger, 'Graphic Sources for Meissen Porcelain: Origins of the Print collects ion in the Meissen Archives', Metropolitan Museum Journal, v. 31, 1996, pp. 103-104.


Sotheby's Scientific Research department used noninvasive XRF for this lot to screen the green enamel for chromium, which was not detected.