View full screen - View 1 of Lot 47. A Louis XVI style gilt-metal mounted marquetry and parquetry commode, late 19th century, after the model by J.H. Riesener.

A Louis XVI style gilt-metal mounted marquetry and parquetry commode, late 19th century, after the model by J.H. Riesener

Auction Closed

May 26, 03:18 PM GMT

Estimate

8,000 - 12,000 GBP

Lot Details

Description

A Louis XVI style gilt-metal mounted marquetry and parquetry commode, late 19th century, after the model by J.H. Riesener


of shaped breakfront form, the marble top above three frieze drawers and one cupboard door inlaid with floral marquetry to the front

90cm. high, 168cm. wide, 63.5cm. deep; 2ft. 11⅜in, 5ft. 6⅛in, 2ft. 1in

This lot contains endangered species. Replica Shoes 's recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. For example, US regulations restrict or prohibit the import of certain items to protect wildlife conservation. Please note that Replica Shoes 's will not assist buyers with the shipment of this lot to the US. A buyer's inability to export or import these lots cannot justify a delay in payment or sale cancellation.
Adam's, Dublin, 23 March 1992, lot 361.
The design of the present lot is based on the celebrated commode created by Jean-Henri Riesener in 1778 for the private rooms of Louis XVI at the Château de Fontainebleau and later transported to Versailles to furnish the king’s library. It is sometimes known as the “Commode du Concordat” or the “Treaty Commode” as it was in Pope Pius VII’s room at Fontainebleau during his visit in the early 19th century. It encapsulates Riesener’s style, with its distinctive rosette marquetry pattern, fine quality mounts, tripartite breakfront and central trapezoidal panel depicting a lavish still-life in marquetry.

As with the models by Benneman and Weisweiler that were, or had been part of the French Royal collections, this model by Riesener was a source of inspiration for the best cabinet-makers of the second half of the 19th century, such as Linke, Dasson, or Sormani, who would sometimes produce exact replicas of these pieces.