Inspired by a trip to North Africa and by the teachings of Gérôme, Van Schaick in the present work has depicted two men at rest. Casually seated on a Shirvan Kilim, East Caucasus carpet, one holds a pipe as the other flexes his sword, they are shielded from the burning sun by a bright yellow awning.
The life and artistic career of Van Schaick remains largely unknown. In 1872, like many of his contemporaries, he entered the atelier of Gérôme at the Ecole des Beaux-Arts in Paris. From 1864-1904 Gérôme taught two thousand students and to gain a place was particularly difficult for foreign students. Van Schaick maintained that Gérôme was ‘unmerciful in judgement, he dominated by a singular magnetism’. (Niamh O'Sullivan and Aloysius O'Kelly, Art, Nation, Empire, 2010, p. 18). Van Schaick returned to New York and worked primarily as a magazine illustrator and portrait painter.