'At our best and most fortunate we make pictures because of what stands before our camera, to honor what is greater and more interesting than we are. We never accomplish this perfectly, though in return we are given something perfect – a sense of inclusion. Our subject thus redefines us, and is part of the biography by which we want to be known.'
Robert Adams, The Grain of the Present, p. 86
Prints of this image are in several institutional collects ions, including the National Gallery of Art, Washington, D. C., gift of Mary and Dan Solomon; Sheldon Memorial Art Gallery, University of Nebraska-Lincoln; and The Nelson-Atkins Museum of Art, Kansas City.