For another impression of the same triptych in the collects ion of the Metropolitan Museum of Art (The MET), accession number JP203, go to:

https://www.metmuseum.org/art/collects ion/search/36680?ft=JP203&offset=0&rpp=40&pos=1

For a further impression in the Museum of Replica Handbags s, Boston, accession number 21.7771-3, go to:

https://collects ions.mfa.org/objects/499949/women-making-a-giant-snowball?ctx=684b9954-6c24-416a-9829-502e2f852c9f&idx=1


The collects ion of Henri Vever 

Henri Vever (1854-1942) was regarded as one of the most distinguished jewellers of his t.mes . By the 1880s, Vever was amongst the earliest Europeans to formally collects Japanese prints. He bought extensively from Hayashi Tadamasa (1853-1906) and was a member of Les Amis de l’Art Japonais, a clique of art enthusiasts, including Claude Monet (1840-1926), who met regularly to discuss Japanese works of art. In the early 20th century, Vever had already amassed a vast collects ion of fine prints numbering in the thousands. His collects ion became a focal point for scholars such as von Seidlitz, Migeon, and Lemoisne, who almost exclusively used his collects ion for their research. During his lifet.mes , Vever made several important bequests to French national collects ions. At the peak of World War I, Vever sold much of his collects ion to Matsukata Kojiro (1865-1950), which would later go on to form a significant part of the Tokyo National Museum’s collects ion of ukiyo-e prints.

Photograph of Henri Vever