“Still life is the touchstone of painting.”
Édouard Manet

The traditional attribution of this picture to Ambrosius Bosschaert the Elder has recently been confirmed by Fred G. Meijer, upon first-hand inspection. He dates it to the years shortly after 1610, when Bosschaert was still in Middelburg. It is unusual in Bosschaert's œuvre in the simplicity of its arrangement of only four blooms of tulips, and may thus appear unfamiliar, but other such pictures by him are known. A good example is the even smaller picture on copper, signed in monogram, depicting four tulips in a glass vase, in the Bredius Museum, The Hague, which Bol dated to the last years of Bosschaert's Middelburg period, before 1615.1 The red-and-white tulip to the left of the present composition is almost identical to one found in an Ambrosius Bosschaert the Elder flower piece dated 1614 in The Getty Museum.2

On the basis of an old photograph, Laurens Bol (see Literature) included this picture in a small group of three works that he attributed to Hans (Johannes) van der Ast, brother of Balthasar, on the basis of the monogram I.V.A. that appears on one of them.3 The other unsigned picture from this group however, depicting four tulips in a glass vase, is very close in style and composition to the Bredius picture: one of the tulips is almost identical, another nearly so, and the glass vase is identical.4 Furthermore the handling of the leaves emerging from the vase, and the chalky white ledge, are very similar to both the Bredius picture and the present one, and all three pictures are surely by the same hand. The monogrammed picture, though Bosschaertian in its conception, is otherwise quite different.5

Please note that the painting is sold framed but will be displayed in an Italian, circa 1600, fruitwood cassetta frame on a half lapped pine back frame, with original winged putto and a brass hanging hook, as illustrated below. The display frame is loaned from Arnold Wiggins and Sons; should you wish to purchase it please contact grace.collier@sothebys.com

The present painting in a frame loaned by Arnold Wiggins and Sons

1 A. Blankert, Museum Bredius. Catalogue van de Schilderijen en tekeningen, Zwolle 1991, pp. 52–53, no. 20, reproduced in colour p. 83

2 http://www.getty.edu/art/collects ion/artists/839/ambrosius-bosschaert-the-elder-dutch-1573-1621/

3 Bol 1982, reproduced fig. 8

4 Bol 1982, reproduced fig. 9. Fred Meijer has kindly pointed out (email, 23 June 2020) that this picture, certainly by Ambrosius Bosschaert the Elder, is very close to the present work.

5 Fred Meijer (email, 6th July 2020) has kindly endorsed this view.

Discover masterpieces from the Golden Age selling in Rembrandt to Richter
  • The Golden Age
  • 1610
  • 1625
  • 1632
  • 1635
  • 1652
  • 1660s
  • The Golden Age
    The Golden Age came about thanks largely to an explosion of wealth from trade that began at the end of the 16th century and lasted well into the 17th as the Dutch provinces seceded from the Spanish Empire and established their full independence. It created a large, wealthy middle class such that buying art was no longer the preserve of just kings, queens and religious orders: everybody with money to spare was at it.

    It was against this prosperous backdrop that the paintings in this sale by Bosschaert , Rubens , Rembrandt , Hals , Van Goyen and Mignon , in that order, were created.
  • Ambrosius Bosschaert the Elder
    Antwerp 1573 - 1621 The Hague

    Still life of four tulips in a Wan-Li porcelain vase
    oil on copper
    22.5 by 16.5 cm.; 8¾ by 6½ in.

    £300,000-400,000

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  • Sir Peter Paul Rubens
    Siegen 1577 - 1640 Antwerp

    Portrait of a lady, three-quarter length, wearing an elaborate black dress and cloak, before a red drape and a distant landscape
    oil on canvas
    110.2 by 82 cm.; 43⅜ by 32¼ in.

    £2,500,000-3,500,000

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  • Rembrandt Harmensz. van Rijn
    Leiden 1606 - 1669 Amsterdam

    Self-portrait of the artist, half-length, wearing a ruff and a black hat
    signed and dated: Rembrant · ft./ 1632 (centre right)
    oil on oak panel
    21.8 by 16.3 cm.; 8⅝ by 6⅜ in.

    £12,000,000-16,000,000

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  • Frans Hals
    Antwerp 1582/83 - 1666 Haarlem

    Portrait of a man with a broad-brimmed black hat and a white ruff
    inscribed with the sitter's age, signed with monogram and dated: AETAT SVAE 50/ ANO 1635/ FH (centre right)
    oil on canvas, within a painted oval
    87.5 by 68.5 cm.; 34⅜ by 27 in.

    £2,000,000-3,000,000

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  • Jan Josefsz. van Goyen
    Leiden 1596 - 1656 The Hague

    Coastal scene with small vessels in a choppy sea
    signed and dated: VG 1652 (lower right)
    oil on oak panel
    36.9 by 51.3 cm.; 14½ by 20¼ in.

    £200,000-300,000

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  • Abraham Mignon
    Frankfurt 1640 - 1679 Utrecht

    Still life with plums, peaches, apricots, grapes and a melon
    signed: A. Mignon. fe (centre right)
    inscribed with the Dresden inventory number: 392 (lower right)
    oil on canvas
    90.2 by 74.9 cm.; 35½ by 29½ in.

    £400,000-600,000

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