“In the late 1950s and early 1960s…Stella’s efforts to banish illusion entirely from painting in favour of the factual presentation of materials on a surface provided clues for the new direction that Flavin took in simplifying the form of his work. Unlike [Stella], however, he chose to work with distinctly non-art materials - store-bought light fixtures”
(Michael Govan cited in: Exh. Cat., Washington, D.C., National Gallery of Art, Dan Flavin: A Retrospective, 2005, p. 53).