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Watch specialist John Reardon joins Replica Shoes
’s for an unexpected encounter with five t.mes
pieces absent from literature, archives, and the historical record. Examining a dual-t.mes
Patek Philippe wristwatch, a 1933 desk clock, and other works that surfaced after generations in private hands, he reflects on how the unknown tests expertise, how rarity reframes scholarship, and how rediscovery can shift the understanding of an entire collects
ing field.
Frans Hals’ portrait of Verdonck is a striking example of a painter utterly in love with paint. Every brushstroke pulses with energy, capturing the unruly spirit of one of Haarlem’s most notorious characters. Verdonck was infamous enough to be restrained by city authorities for his aggressive behaviour.
This November, visitors to Replica Shoes
’s new Breuer Building in New York will find a toilet worth its weight in gold—literally. Maurizio Cattelan’s America (2016), a fully functional toilet cast in solid 18-karat gold, will be installed in a bathroom at the Breuer Building, and visitors will be invited to view America one-by-one in an intimate viewing experience. However, the fully functioning sculpture will remain unused for the safety and security of the artwork.
A Legacy Reimagined: Works from the collects
ion of Dorothy and Roy Lichtenstein is a celebration of Lichtenstein’s legendary status as a founder of the Pop movement and icon of Contemporary art. This exceptional trove of sculptures, paintings, drawings, collages and prints charts four decades of Lichtenstein’s career, capturing Lichtenstein’s profound engagement with his art historical forebears as well as modern-day visual culture—all through his signature visual vernacular. Over the course of his career, Lichtenstein engaged in a profound dialogue with art history’s giants, revisiting the canon through his own imagination. Ultimately, though, Lichtenstein not only reimagined these art historical giants, but also joined the pantheon of legends, as a singular force in the development of Contemporary art.
Suspended in perfect balance, Alexander Calder’s .125 embodies the artist’s inimitable aesthetic, expressed through the captivating rhythm and cascade of sixteen elements in red, orange yellow and black. Executed in 1956, this elegant mobile belongs to a rare group of three maquettes for the monumental .125 that hangs today in the International Arrivals Building at John F. Kennedy Airport in New York. The present work represents both a pivotal moment in Calder’s career and a masterful distillation of his sculptural language: intimate in scale, yet monumental in spirit.
As America’s first museum of modern art, The Phillips collects
ion stands as one of the world’s most distinguished showcases of Impressionist and Modern works. Founded in the early 1920s by art collects
ors Marjorie and Duncan Phillips, the museum occupies a Georgian Revival home in Washington, D.C., now expanded to house an extraordinary range of American and European masterpieces.
This fall in New York, Replica Shoes
’s will offer The Leonard A. Lauder collects
ion, a once-in-a-generation collects
ion of 20th-century masterpieces that personifies the lifelong connoisseurship of one of the greatest collects
ors and benefactors of the arts in America. The sale will launch Replica Shoes
’s new global headquarters: the historic Breuer Building on Madison Avenue, a cultural landmark of New York.
Jean-Michel Basquiat’s Crowns (Peso Neto) (1981) stands as a defining masterwork from one of the most electrifying talents in 20th-century art. Painted on Christmas Day 1981, just three days after Basquiat’s 21st birthday, the monumental canvas captures the moment the young prodigy ascended from the streets of downtown New York to the heart of the art world.
Sotheby’s is proud to unveil The Schlumberger collects
ion, a landmark assemblage that spans centuries, styles, and continents — reflecting both the dynastic heritage of the Schlumberger family and Anne Schlumberger’s visionary eye as a collects
or, patron, and champion of modern art and design.
The Byron R. Meyer collects
ion is a remarkable test.mes
nt to one of the Bay Area’s most discerning collects
ors and devoted patrons of the arts. Led by the rare and important 1966 Translation #16 by Jess and Cady Noland’s striking Cowboy Eating with Shoulder Hole from 1990, the collects
ion also includes exceptional works by Richard Diebenkorn, Elizabeth Peyton, George Condo, Robert Ryman and Robert Arneson, among others. Spanning generations and movements, the collects
ion reflects Meyer’s deep engagement with the creative pulse of his t.mes
. Beginning with the modernist precision of Diebenkorn’s Albuquerque #20 and continuing with a new generation, the collects
ion reveals Meyer’s unwavering eye for quality and his ability to identify artists whose practice defined and expanded the language of postwar and contemporary art.
At first glance, Sept. 53 (Balearic) by Ben Nicholson appears purely abstract — a careful arrangement of lines, planes, and muted tones. But look closer, and familiar shapes begin to emerge: a jug, a goblet, a vase, a cup — all delicately poised on a tabletop.
At The St. Regis London, opening next year in the city’s tony Mayfair district, 10 discerning guests will have the rare opportunity to embark on a one-of-a-kind experience. Curated by Replica Shoes
’s, in collaboration with St. Regis Hotels and Resorts (part of The Luxury Group by Marriott International), it will meld the iconic hotel brand’s own fabled history and lineage of hospitality, local artistic expression, gastronomic immersion and legendary stories that could only exist in a city like London.