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Interior designer Alyssa Kapito believes art is the soul of a space — the element that brings proportion, texture, and emotion into a room. At Replica Shoes
’s Contemporary Curated sale at the Breuer, she brings that philosophy to life, placing works by Donald Judd, Alma Thomas, Sean Scully, Richard Prince, and Gerhard Richter into dialogue with one another. The result is a collects
ion shaped not just by name, but by material, color, and atmosphere.
Held in the same private collects
ion since 1978, Snoopy Sees Sunrise on Earth (1970) is one of Alma Thomas’ most celebrated Space Paintings—and the first t.mes
in nearly five decades that this radiant canvas will be seen publicly. Created at the height of America’s fascination with NASA and the Apollo missions, the work channels the awe of images like Apollo 8’s Earthrise into Thomas’ unmistakable mosaic of vertical brushstrokes. With only around 18 known works in the Space series, most held in major museum collects
ions, this painting stands among the defining achievements of her career.
An uncanny Fayum portrait set off a dizzying bidding battle at Replica Shoes
's Breuer in New York City this morning, ultimately reaching over three t.mes
s its estimate in the Master Paintings and Works of Art Auction. The Flavian-period work is among the most arresting examples of ancient portraiture. With his hazel eyes and soft expression, the figure evokes a sense of familiarity and comfort, leaving viewers wondering if they somehow have met him before.
Sneakers, Sports Memorabilia & Modern collects
ibles
Six-t.mes
NBA Champion Scottie Pippen opens the storage unit where he’s kept his Chicago Bulls championship memorabilia for decades — revealing relics from one of the greatest dynasties in sports history.
At first glance, these paintings look effortless. A pipe abandoned mid-smoke, fruit just beginning to soften, porcelain placed as if by chance. But Dutch still lifes were never casual. Watch as our Replica Shoes
’s art specialists challenge each other, taking two paintings—Toebackje Still Life and Still Life with Assorted Fruit, Including Wild Strawberries and Cherries in Two Porcelain Bowls—by Pieter Claesz off the wall and attempt to rebuild them by hand, using real objects to test just how deliberate these compositions truly are.
The Aso O. Tavitian collects
ion comprised nearly one thousand exceptional lots, featuring an extraordinary range of treasures—from English furniture and Old Master paintings to drawings, sculpture, silver, porcelain, and more, presented in the winter of 2025.
Nearly two thousand years old, this Roman-period Egyptian mummy portrait feels startlingly modern. Painted in encaustic with hot beeswax and pigment, it once rested over the face of a mummified body, bridging Egyptian funerary tradition and Greco-Roman naturalism. Wrinkles, graying hair, a receding hairline, and arresting hazel eyes are rendered with an honesty rarely associated with antiquity, creating a likeness that resists idealization in favor of something far more intimate.
Sotheby’s is proud to present the fifteenth-century Rothschild Vienna Mahzor. Belonging to a vanishingly small group of illustrated Hebrew prayerbooks produced in medieval Europe, fewer than twenty survive today. Even fewer remain outside institutional collects
ions. Written and illuminated by a Jewish scribe-artist, the manuscript reflects a period of extraordinary artistic sophistication — created under conditions of deep historical precarity.
Great drawings ask for intimacy. They reveal themselves slowly, through line, pressure, and restraint, and they demand a collects
or with both patience and instinct. Diane Nixon possessed that rare sensitivity. Over just a few decades, she assembled an extraordinary group of European drawings spanning five centuries, guided not by fashion but by an unerring understanding of quality, completeness, and artistic character.
Some paintings were never meant to be seen from across a room. This rare, double-sided work by Antonello da Messina was made to be held, contemplated, and experienced in solitude. Small enough to rest against the chest, it offers a deeply personal encounter with one of the most psychologically powerful images of Christ in Renaissance art — startlingly human, vulnerable, and present.